Evelyn Pakinewatik offers an introspective experiment that explores trauma, memory, and healing spaces. This film was produced as part of TQFF’s 2018 Indigiqueer Filmmaking Workshop.

An Indigenous Dungeons and Dragons group faces their final nemesis: Justin Trudeau. This film was produced as part of TQFF’s 2018 Indigiqueer Filmmaking Workshop.

Noolíhkamun explores how gender and identity are intertwined with language, and what this means in the face of a centuries-long and ongoing cultural genocide. This film was produced as part of TQFF’s 2018 Indigiqueer Filmmaking Workshop.

Connor Pion’s new short is one mixed-race urban-Indigenous 2 Spirit-trans neechie’s prayer, ceremony, and activiation for a potent shapeshifting potion. This film was produced as part of TQFF’s 2018 Indigiqueer Filmmaking Workshop.

In My Pride Is, Wāpahkēsīs (Keisha Erwin Roberts) reflects on what Pride means to themselves as a non-binary filmmaker, as well as how it relates to their other marginalized identities. They assert that they can not fully celebrate pride without celebrating their other identities, which is a struggle as an Indigenous person to Turtle Island who lives on land that has been stolen, occupied, and colonized. This film was produced as part of TQFF’s 2018 Indigiqueer Filmmaking Workshop.

Like something out of an anthropologist’s dream, contemporary dance artist Monique Romeiko has amassed a treasury of LOVE LETTERs in a dizzying variety of forms. Faced with artifacts in every medium, from the earnest and deeply personal hand-written note to the unscripted, courageously immediate text message, she explores, through dance and film, the mysteries of love connections. What will humans whisper to each other about love?

A cervix drips blood while an audience describes their own cervixes and relationships to their bodies.

Two hosts interview celebrities about love and her sister intimacy, with a backdrop of pop culture and an underlying message about intergenerational trauma.

After white people leave Earth en masse for Mars, the Indigenous people left behind contemplate their place in healing the world and imagine a brighter future after the biggest problem has gone.

Dreamy Boys applies traditional Indigenous medicine and ecological knowledge to trans masculine bodies to dream alternate masculinities.

In the Native community, “snagging” is slang for picking up, or hooking up, with that special person you’ve had your eye on. In this short film, “What’s your best Snagline?” is the question that’s posed to the local Indigenous community in Ottawa, resulting in fun and tantalizing responses.